2020
Black-and-white portrait: Misan Harriman sits at a table, resting his head in his hands, looking directly into the camera.
We came out, all colours, all races, and we said: ‘We can do better.’
Misan Harriman
Black-and-white shot: A raised Black fist rises sharply into the air in the foreground, in front of a blurred image of a large group of demonstrators on a street.
Black Lives Matter Protest, Los Angeles 2020, Mathieu Bitton
© Mathieu Bitton

The World Can’t Breathe

Footage of George Floyd’s arrest, during which he died at the hands of police, races across social networks in minutes. Before the press can react and before any political response can be made, people are outraged, incredulous and angry in the streets. First in Minneapolis, then all over the US. The protestors include Black Lives Matter. This movement has existed for a long time, but the current images mark a tipping point where silence is no longer an option for many people, and the world is uniting under its banner.

Black-and-white image: A Black woman wearing a bandana over her mouth and nose looks into the camera while raising her fist. She is surrounded by a crowd of demonstrators who are out of focus in the background.
Black Lives Matter Protests 2020, Payman Hazheer
© Payman Hazheer
Two Black people stand close together in a crowd, both looking at the camera. Signs and other demonstrators can be seen behind them, including a sign bearing a drawing of George Floyd.
George Floyd and Black Lives Matter Protest. Brooklyn, New York 2020, Bruce Gilden
© Bruce Gilden / Magnum Photos
Close-up: Three Black men stand close together in a crowd and look at each other anxiously. Other people and buildings are visible in the background.
George Floyd Rally. East Orange, New Jersey, USA 2022, Bruce Gilden
© Bruce Gilden / Magnum Photos
Black-and-white shot: Two Black men with dreadlocks and wearing identical bandanas over their mouths and noses stand next to each other looking into the camera. A blurred crowd of people can be seen in the background.
Black Lives Matter Protest, London 2020, Misan Harriman
© Misan Harriman

Black in Large Format


Misan Harriman photographs the 2020 BLM protests in London from right there within the crowd. The resulting portraits are particularly powerful, capturing people who want to be seen. His sensitive yet expressive visual language continues to gain resonance after the protests. Shortly afterwards, he designs a cover for British Vogue, becoming the first person of colour to do so.



Leica Oskar Barnack Award logo for the 40th anniversary

40 Years of LOBA

In the Field of Vision

Four decades of the Leica Oskar Barnack Award – forty years of photography that touches, testifies and triggers emotions. Since 1980, the LOBA has recognised outstanding image series reflecting the interplay between people and their environment. To celebrate this milestone, Karin Rehn-Kaufmann and the current award winners share the stage, symbolising continuity, vision and the transformative power of photography to transcend borders and connect generations.

Gonçalo Fonseca, Luca Locatelli and Karin Rehn-Kaufmann, all equipped with microphone headsets and the former two carrying cameras, pose on a stage in front of a large screen displaying the text ‘Leica Oskar Barnack Award 40 Years’.
Karin Rehn-Kaufmann is pictured with the award winners, Gonçalo Fonseca and Luca Locatelli
A space is filled by a large control room containing curved desks, numerous switches, displays and screens.
Future Studies 2020, Luca Locatelli

2020


Luca Locatelli

In Future Studies, Luca Locatelli shows places where our future is being shaped: research centres, biolabs and recycling plants. His clear, almost surreal compositions tell of progress and responsibility, and of the search for balance between technology and nature. It is a visual study of sustainability and the aesthetics of change.


Leica SL2-S

In the Flow of the Moment

The SL2-S complements the SL-System, offering full-frame camera agility and expressive power. With a 24 MP CMOS sensor, speeds of up to 25 fps and professional video functions, it is aimed at photographers and filmmakers who want to combine speed, precision and creative freedom.

Social Distancing

At a time when an already strained society urgently needs more closeness, the COVID-19 pandemic takes it away. Social distancing becomes mandatory; faces disappear behind masks; and the home replaces public spaces while simultaneously becoming a hiding place. People must learn to completely redefine social contact, navigating a landscape of caution, sacrifice, mistrust, necessity, disruption and emerging community structures. The following series showcases the pandemic in all its facets through photography.

Black-and-white shot: A wide, deserted street flanked by tall buildings, with a view of Grand Central Station.
New York City, Grand Central Station 2020, Phil Penman
© Phil Penman

Phil Penman


For Phil Penman, the city provides the backdrop to a world in lockdown, with empty Times Square and streets waiting for life, while people observe social distancing.


Flash shot: A sturdy woman wearing a face mask lifts a large drinks container into the boot of a car, while a young blonde-haired girl wearing a mask stands next to her.
Supermarket Shoppers During COVID-19, USA 2020, Bruce Gilden
© Bruce Gilden / Magnum Photos

Bruce Gilden


And suddenly, looks speak volumes: Bruce Gilden documents the pandemic using the whimsical individual portraits we know him for, but this time they are all wearing masks.


Black-and-white image: A bearded man lies on a white pillow under a white blanket in a bed, wearing a black eye mask featuring an illustration of cat eyes.
From the series A Blanket Over Berlin 2020, Julia Baier
© Julia Baier

Julia Baier


Berlin caught in a state of emergency: Julia Baier documents the isolation and its absurd consequences.


Black-and-white image: A man stands in profile with his eyes closed in front of a neutral background. His face looks exhausted and you can see deep imprints from a mask on it.
Zoonose 2022, Cédric Gerbehaye
© Cédric Gerbehaye

Cédric Gerbehaye 


Cédric Gerbehaye accompanies nursing staff and doctors through months of relentless stress. He shows where the boundaries between responsibility and exhaustion lie.


A corner in a modern living room with a large window and a view of the blue sea and sky. In the dramatic, slanting sunlight, a white chair stands with several rolls of toilet paper on it.
Life During Lockdown series 2020, Craig Semetko
© Craig Semetko

Craig Semetko


Craig Semetko captures the poetry of emptiness with empathetic humour and aloof ease.


Black-and-white portrait: A Black man wearing a mask and a uniform sits behind the windscreen of a bus, hands together in prayer in front of his face. The reflection of a tall building is superimposed on his image.
The Human Face of Covid-19 2020, Peter Turnley
© Peter Turnley

Peter Turnley


Peter Turnley documents human encounters in the shadow of the pandemic, reminding us of the challenges that exceptional circumstances pose to everyday life.


No Time to Die

This Bond film is hotly anticipated: Billie Eilish is delivering the title song. Global audience has been keenly awaiting it a long time, but the cinema release has been repeatedly postponed due to the pandemic. This makes the behind-the-scenes images by Greg Williams, Nicola Dove and Daniel Craig, who takes to the camera himself, all the more remarkable. There is no distance here; people are shown in their element, side by side, in the midst of a huge production. A rare view of the James Bond world emerges between takes, make-up and rehearsals – not as a myth, but characterised by teamwork.

Black-and-white shot: Two armed people, a man and a woman, wearing tactical clothing climb a dark grey concrete staircase, while a cameraman films them from below.
Black-and-white shot: A young woman wearing an elegant, backless dress walks past several men in suits lying on the floor of a large interior space filled with film lights and set personnel. Behind her, a large white light screen can be seen.
Ana de Armas, Pinewood Studios 2019, Daniel Craig
© Daniel Craig © Danjaq and MGM. NO TIME TO DIE, 007 and related James Bond Indicia © 1962–2021 Danjaq and MGM. NO TIME TO DIE, 007 and related James Bond Trademarks are trademarks of Danjaq. All Rights Reserved.
Black-and-white shot: Ten classic silver sports cars are parked in front of a historic old town featuring many densely built stone houses.
Ten Aston Martin DB5s, Matera, Italy 2019, Nicola Dove
© Nicola Dove © Danjaq and MGM. NO TIME TO DIE, 007 and related James Bond Indicia © 1962-2021 Danjaq and MGM. NO TIME TO DIE, 007 and related James Bond Trademarks are trademarks of Danjaq. All Rights Reserved.
Black-and-white portrait of Greg Williams holding a Leica
I never think of myself as photographing celebrities, I photograph artists.
Greg Williams

Artists

Two men wearing tuxedos walk smiling side by side through a bright, long corridor behind the scenes.
A man wearing a suit leans far backwards, standing before a balcony parapet, while the open umbrella he is holding blows away.
A man wearing a tuxedo playfully balances on a tilting chair in a bright hotel room with an open balcony door.
A group of men wearing tuxedos stand side by side, captured from the front, looking straight ahead to a spot above the camera with concentrated, serious expressions.

Influenced

At the start of the 2020s, the number of influencers increases dramatically. They produce content amid everyday public life: dancing in the street, planned spontaneity, beauty tips, life hacks and even the Naked Cowboy as a New York landmark – everything goes online. Photography is becoming an increasingly important part of the zeitgeist, to the extent that real life only seems to take place if it is uploaded. This creates a seemingly perfect parallel reality in the public eye, which exerts an immense influence on the self-image of entire generations and billions of people.



Black-and-white image: A woman wearing a sun hat, a tight white dress and high heels takes a photo.
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