1954

Leica M3

Seeing with Your Own Eyes Takes on New Meaning

1954 heralded a celebrated turning point in the realm of 35 mm photography. Despite post-war setbacks, the Leica M3’s rangefinder technology struck a chord with modern photography – making visual documentation more immediate, liberated and perceptive. It quietly transformed the visual vocabulary of reportage, street photography and photojournalism, forever reshaping the way we perceive humanity through the lens.

People

Black and white motif, the artist Picasso sitting happily in a bathtub
Black and white motif, child looking through a broken car window
Black and white motif, woman wearing a fur coat sitting in an open-top car
Black and white motif, man of small stature, dressed as a clown, smoking a cigarette outside a circus tent
Black and white motif, James Dean walking through Times Square in the rain with a cigarette in his mouth
Black and white motif, man skipping across the struts of the Eiffel Tower
To me, photography is an art of observation. It’s about finding something interesting in an ordinary place.
Elliott Erwitt
© Elliott Erwitt / Magnum Photos
Black and white portrait of Elliott Erwitt with a dog

Leica M2

Simply See More

The Leica M2 was introduced in 1957, retaining the core qualities of the M3 – precision, reliable performance and perfect viewfinder quality. However, the streamlined design and reduced cost made it all the more accessible. It likewise proved itself as a respected tool for reportage, solidifying the M principle as a coherent system.

Rangefinder in pop art style
Open M in pop art style
M in pop art style
Stylised ASA dial
Halftone dots in black
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